The Wolves on its South Florida Premiere at Carnival Studio Theater

Writing in Sand is a multidisciplinary stage production directed by Carlos Caballero, featuring actress Mabel Roch, choreographer and dancer Lucia Aratanha, musician Inez Barlatier, and the writing of Griselda Ortíz. The work opens a dialogue that explores themes of displacement, immigration, trauma, personal crisis, and assimilation as a mirror of Miami itself. Three female performers – one Cuban, one Brazilian and one … +

Climakaze Miami 2017 is highlighting profound female voices from Haiti and Australia in a unique event, Miami-grown songstress Inez Barlatier and Melbourne’s riveting cabaret priestess Moira Finucane get together to address climate issues through the arts and dialogue. The Rapture by Moira Finucane (Australia) Fri May 5, 2017, 8:30 PM Inez Barlatier in Concert (Miami-Haiti) Sat May 6, 2017, 8:30 PM Eco-Theater … +

Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps, and other sordid souls, is a place that reeks of death and hopelessness, where a lonely vampire is stalking the town’s most unsavory inhabitants. But when the boy meets a girl, an unusual love story begins to blossom…blood red. The first Iranian Vampire Western, Ana Lily … +

“There’s a real potency to how [Eva] Husson contrasts the sexual frankness of the young lovers’ meetings with the miserable ritual of their outside lives – the difference between white sheets and the deep reds and fussy florals of an Edwardian parlor room. —Clarisse Loughrey, The Independent “One of the sexiest period dramas in some time”—The Hollywood Reporter On a warm spring … +

Set in New York in 1982, the script follows forty-eight hours in the lives of three very lost young souls: Warren, a dejected nineteen-year-old who has just stolen $15,000 from his abusive, tycoon father; Dennis, his charismatic drug-dealing friend who helps Warren put the stolen money to good use; and, Jessica, the anxiously insightful young woman who Warren yearns for. Funny, painful, … +

In 1985, Susan Seidelman blessed the planet with Desperately Seeking Susan, a screwball East Village fantasia about amnesia, Egyptian artifacts, mob killings, mistaken identities, jacuzzi sales, magic acts, suburban ennui, Nefertiti’s earrings, and an extremely rad jacket. Leora Barish’s script had been lingering in development hell for years, with studios passing on it because, as producer Sarah Pillsbury put it in 2015, … +