The Pleasure of Being Robbed

The brilliance of a young Isabelle Huppert lends quiet intensity to this piercing period elegy. Budapest, 1936: Szilvia (Lili Monori), a wealthy heiress to an enormous family fortune, befriends Irén (Huppert), a young shopgirl of modest means. Unable to give birth, Szilvia offers Irén money in exchange for conceiving a child with her husband (Jan Nowicki) on her behalf—a transaction that blurs … +

March 26, 2014, 7:00pm – 9:00pm Video Shorts curated by Alette Simmons-Jimenez & Cristina Ghetti. Participating Artists from MIAMI, FL, USA: Moira Holohan, Cristina Pettersson

What do the most ravishingly beautiful actress of the 1930s and 40s and the inventor whose concepts were the basis of Cellphone and Bluetooth technology have in common? They are both Hedy Lamarr, the glamour icon whose ravishing visage was the inspiration for Snow White and Cat Woman, and a technological trailblazer who perfected a secure radio guidance system for Allied torpedoes … +

Deering Estate in partnership with the MIAMI short FILM FESTIVAL presents a new series that provides screenings of selected short films. The Movie Labyrinth; Are we there yet?; Then there was you and Slippery Corners of the Mind and more shorts will be screened as a part of the event. Individual tickets on sale. The Miami short Film Festival is dedicated to … +

SHADOWS isn’t America’s first indie feature film, but it may be its first mature one — the first to put everything on the line for its uncompromising modern approach to style and subject matter. As he follows the lives of three black Manhattanite siblings (with a breakout performance by Lelia Goldoni), Cassavetes gives each actor room to shape their character like a … +

In a brief yet prolific career, Ana Mendieta created groundbreaking work that addressed themes such as exile, displacement, and a return to the landscape, all of which remain a source of public fascination and mystery. In 1981, she became the first Cuban exile to be given permission to create works on the island and chose to carve a series of abstracted female forms into … +