Editorial

Arteaméricas 2009
By Manuela Gabaldon

May/June 09. Arteaméricas, the fair that defines trends of contemporary art by Latin American and Caribbean artists, took place on March 27th through March 30th, 2009 at the Miami Beach Convention Center. This art fair, unique in its concentration of cultural and ethnic artwork, housed a variety of booths with displays by about 50 participating galleries from around the world.

Editorial

Love Stories / Historias de Amor: Social Responsibility Program for the Protection of Minorities
By Manuela Gabaldon

May/June 09. Pablo Peinado, curator of Coleccion Visible’s Love Stories / Historias de Amor, presents Miami with his collection of homosexual art in avid support of the gay rights movement in Spain and around the globe. His collection, currently at the Hardcore Art Contemporary Space in Wynwood, is comprised of 200 pieces by 30 artists from different parts of the world. Living … +

Editorial

Máncora
By Manuela Gabaldon

May/June 09. This year’s Miami International Film Festival brought films from all over the world to our great city. However, only one had true Miami ties. Produced by Miami-based producers Diego Ojeda and Oscar Teran, Máncora tells the story of a jaded boy’s rude awakening from a life of sex, drugs, and the underground club scene. The film follows the story of … +

Editorial

Beyond classical piano. A brief conversation with Kemal Gekic
By Cynthia Saez

Kemal Gekic, the Croatian pianist who made his U.S. debut 1999 and was subsequently selected by Florida International University as their artist-in-residence, opens the Miami International Piano Festival’s Master Series this year. And since artists are more known for their performances, repertoire or roles, than for being themselves, MAG takes this opportunity to speak with the person behind the work and to … +

Editorial

Home is where the Lens Is
By Anne Tschida

Peggy Levison Nolan at Dina Mitrani Gallery Peggy Levison Nolan likes a beautiful landscape just as much as the next person. She just doesn’t like to shoot it – or anything else classically easy on the eye. “I was starring at a stunning mesa once,” she recalls about that flat-topped formation particular to the American Southwest and a favorite focal point for … +

Editorial

O.H.W.O.W’s Confection
By Anne Tschida

Everybody wanted to cook something! O.H.W.O.W., or Our House West of Wynwood – the name kinda says it all. This funky alternative space, opened last fall, is a hybrid cultural community center: part art gallery, part events space, part hang-out, or as the owners put it, “a social and cultural experiment like no other that takes place in a living, breathing venue … +

Editorial

Leslie Gabaldon: And let it go…
By Manuela Gabaldon

Collective loss: another visual register of unavoidable thoughts .Our preoccupation as citizens of a society in crisis is reflected in almost every aspect of our life. We have questioned the professional, the economic, and the consequential, but have we had the time to explore a crisis’ emotional toll? Artist Leslie Gabaldon channels maturity and practicality within us as spectators and relentless participants … +

Editorial

Galerie Hélène Lamarque
By Manuela Gabaldon

Our city of Miami characterizes itself by its diverse population and the constant arrival of new and eye-opening cultural organizations hoping to call our home their own. Over the last few years, Wynwood Art District has become the prime location for any gallery eager to participate in its pioneering efforts. Galerie Hélène Lamarque, an impressive and established gallery with a fifteen-year run … +

Editorial

Diana Lowenstein Fine Arts
By Manuela Gabaldon

During my afternoon visit of Diana Lowenstein Fine Arts’ space in the Wynwood Art Disctrict, I was optimistically overwhelmed by the number of pieces currently on display and my desire to absorb them all at once. However, once I caught my breath I decided to experience the gallery one piece at a time in an order I would recommend to its every … +

Dance

The Enlightened Body
By Dinorah Perez Rementeria

An inherent feature of our existence, light is a source of energy, power, wisdom and grace. As we move from one point to another, we constantly emit gentle, imperceptible light signals that attract similar vibrations. Some people – like dancers, actors, martial arts practitioners, among others – can transform that natural inner light in a compelling creative energy by training their bodies … +

Editorial

The Daniel Azoulay Gallery
By Manuela Gabaldon

Well-known photographer and gallerist Daniel Azoulay opened a new space at Miami’s latest urban development, Midtown 4, on December 2nd, 2008. The Daniel Azoulay Gallery dedicates its walls exclusively to contemporary photography, a medium Azoulay has always believed in and practiced, and video art. His new location is no coincidence; this calculated move to the Midtown area, located just south of his … +

Editorial

The Women’s Theater Project
By Manuela Gabaldon

It is no secret that a woman’s place in our society is constantly evolving through the efforts of strong and relentless pioneers. This evolution may not always be a fast and obvious improvement, but nonetheless, it is an evolution. Women’s suffrage, the civil rights movement, and the progress of the working-woman are prevalent in the discussion of women’s issues of yesterday, today, … +

Editorial

Wynwood: A retrospective
By Anne TSchida

In 8 short years, Wynwood went from total obscurity to internationally recognized arts hub – and now, it may be on the verge of a new journey once again. As Art Basel Miami Beach hits the sands for a 7th year, and as the global economic earthquake starts to give even the art world tremors, it seems a good time to take … +

Editorial

MDC Art Gallery System
By Fran Robbins

As South Florida changes and grows, so, too, does Miami Dade College, one of the nation’s largest educational institutions. And one of the finest examples of how it’s improving to meet the needs of the community is its vaunted Art Gallery System, a completely integrated museum-classroom-conservatory network that offers visual arts in every possible form. From its start years ago as a … +

Editorial

Tere O’conner’s Rammed Earth
By Manuela Gabaldon

The space shifts, the audience collaborates, there is no permanent stage, no scenery, and at times the room’s complete silence is only disturbed by the sound of dancers’ uninterrupted footsteps; there is nothing conventional about choreographer Tere O’conner’s Rammed Earth, a unique portrayal of the relationship between architecture and the language of dance. A combination of O’conner’s choreography and skillfully tactical lighting, … +