International Hispanic Theater Festival (IHTF) 2016: I Won’t Bring Forth Children, b ut Poems at ARSHT

Réquiem por un alcaraván (Requiem for a stone curlew) is the performative dance of the man-woman. The Zapotec culture, through muxheidad, lives homosexuality, gaycity and same-sex marriages with certain contradictions: a muxhe is a man who assumes roles culturally destined for women, both work and affective, emotional and sexual, muxheidad is a veiled social acceptance and at the same time the celebration … +

From Jul 7th through 11th, 2010. Gender-bending, lesbian marriage, Cuban theater, queer circus arts, racy humor, laughter, tears and much more will fill the stage at Out in the Tropics, South Florida’s first Gay, Lesbian, Bisexual and Transgender contemporary performing arts festival, from July 7th through 11th, 2010.

From Jun 9 through 19, 2011. Out in the Tropics kicks off its second year with a panel discussion and opening reception at The Shore Club hotel in Miami Beach. The evening begins with the ideas and insights of some of the best GLBT contemporary artists in Words and Power, a panel discussion moderated by Founding Artistic Director Robert Rosenberg.

From August 17 through September 22, 2012. In celebration of the centenary of the birth of controversial Cuban playwright Virgilio Piñera, the University of Miami (UM) Jerry Herman Ring Theatre will present five of his brilliant plays under the title of Absurd Celebration: The First International Festival of Virgilio Piñera’s Theatre.

FUNDarte and Miami Light Project present Global Cuba Fest 2015, featuring some of the most prominent names in Latin Jazz, and world music. The festival kicks off with an Opening Night Contemporary Cuban Sound Extravaganza on Saturday, March 7, from 7:00 p.m. to 1:00 a.m. at the Miami Dade County Auditorium . The remaining three events will be held at The Light … +

Writing in Sand is a multidisciplinary stage production directed by Carlos Caballero, featuring actress Mabel Roch, choreographer and dancer Lucia Aratanha, musician Inez Barlatier, and the writing of Griselda Ortíz. The work opens a dialogue that explores themes of displacement, immigration, trauma, personal crisis, and assimilation as a mirror of Miami itself. Three female performers – one Cuban, one Brazilian and one … +