Film “Buñuel in the Labyrinth of Turtles” at Lake Worth Stonzek Theatre

Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps, and other sordid souls, is a place that reeks of death and hopelessness, where a lonely vampire is stalking the town’s most unsavory inhabitants. But when the boy meets a girl, an unusual love story begins to blossom…blood red. The first Iranian Vampire Western, Ana Lily … +

HUMP! is a festival of short erotic films curated by sex-advice columnist Dan Savage. The films shown at HUMP! are always surprising — they can be hardcore, soft-core, comedic, serious, animated, musical — but all HUMP! films are made by real people, for real people. HUMP! filmmakers and stars put their ultimate turn-ons and craziest fantasies up on the screen for all … +

With another year in the books, Miami Film Festival is thrilled to announce the full list of award winners from our 39th edition! Making its US premiere, the Haiti-set Freda directed by Géssica Généus, earned the Festival’s top jury prize, the $25,000 Knight MARIMBAS Award, supported by the John S. and James L. Knight Foundation, an international competition for new narrative feature … +

“There’s a real potency to how [Eva] Husson contrasts the sexual frankness of the young lovers’ meetings with the miserable ritual of their outside lives – the difference between white sheets and the deep reds and fussy florals of an Edwardian parlor room. —Clarisse Loughrey, The Independent “One of the sexiest period dramas in some time”—The Hollywood Reporter On a warm spring … +

In 1985, Susan Seidelman blessed the planet with Desperately Seeking Susan, a screwball East Village fantasia about amnesia, Egyptian artifacts, mob killings, mistaken identities, jacuzzi sales, magic acts, suburban ennui, Nefertiti’s earrings, and an extremely rad jacket. Leora Barish’s script had been lingering in development hell for years, with studios passing on it because, as producer Sarah Pillsbury put it in 2015, … +

The brilliance of a young Isabelle Huppert lends quiet intensity to this piercing period elegy. Budapest, 1936: Szilvia (Lili Monori), a wealthy heiress to an enormous family fortune, befriends Irén (Huppert), a young shopgirl of modest means. Unable to give birth, Szilvia offers Irén money in exchange for conceiving a child with her husband (Jan Nowicki) on her behalf—a transaction that blurs … +